I’ve been avoiding writing this post.
I knew that female characters in children’s movies were not faring well in 2012. Not in number and not in stature. But I kept hoping. Hoping that somehow, before January, something would change, a slew of movies were going to appear from nowhere, stats would magically shift.
Yes, we got Brave this year.
Thank you director Brenda Chapman for making Pixar’s first movie ever with a female protagonist. I’m sorry that you, one of the only women to direct animated movies produced by a major studio, were fired half way through production and replaced with a male director.
But Brave is just one movie. The exception proves the rule. It’s December now, and sadly, it’s time for me to admit that once again, in the movies made for children in 2012, girls go missing.
In staggering proportions, males are consistently front and center; females are mostly sidelined or not there at all.
If you look at the gender placement in the images on the movie posters [here], the meaning of “marginalized” couldn’t be more clear. Remember, these are movie for kids. So when your children go to the movies, they are learning, time and time again, that boys are more important than girls.
For those of you who say there are alternative posters that I didn’t put in Reel Girl’s Gallery, you may find them on Google images, but these are the ones I saw all around San Francisco. Even if you find a poster on Google featuring, say, Tooth, the one female Guardian out of five (a typical gender ratio, by the way) that’s a pretty pathetic argument for her relevance.
For those of you who say the posters do not reflect the movie, that the movie has a strong female in it, maybe even two, maybe three, you are, most likely, referring to the Minority Feisty. No matter how many Minority Feisty there are in an animated film, they are represented as a minority.
The irony is, of course, that females are not a minority, not a special interest, not even a fringe group. Females are, in fact, half of the population. Girls are half of the kid population. Why aren’t they represented that way in movies made for children?
I call the Minority Feisty “Feisty” because that is, invariably, the adjective reviewers use to describe the “strong” female character in an animated film. “Feisty” is diminutive. It is what you call someone who plays at being powerful, not someone who is actually powerful. Would you ever call Superman “feisty?” How would he feel if you did?
The role of the Minority Feisty, like a cheerleader or First Lady, is to help the male star along on his important quest. Children need to see females front and center, as protagonists, as the heroes of their own stories.
Finally, even apart from the movie, these posters – and ads– are their own media. Whether or not your kid goes to the movie, she sees these posters everywhere.
The movie poster is one of the reasons that I was so thrilled about Brave. Finally, San Francisco was papered with an image a daring girl, an image marketed to kids.
Obviously, the biggest impact of a narrative is made when kids get to know the character through the movie and then see that character on clothing, food packaging, and toys.
As you look at these posters, imagine the reverse, the gender ratio and the character placement, switched; the movie’s title reflecting the female star. Would you do a double take?
How many of us grown-ups don’t even notice the dominance of male characters anymore? How many of us experience the annihilation of females as totally normal, not to mention adorable and child-appropriate?
There is no good reason for the imaginary world to be sexist. Or is there?
Only 16% of protagonists in movies are female; only 16% of women make it into power positions in almost all professions across America.
Children’s movie posters, and of course the movies themselves, are an effective way that we acclimate a new generation to expect and accept a world where females go missing.
Out of the 16 posters for children’s movies in 2012 pictured, just 4 represent movies starring females: Mirror, Mirror, Brave, Secret World of Arietty, and Big Miracle. The Big Miracle poster diminishes Drew Barrymore pretty effectively. I loved Arrietty, as I love every Studio Ghibli film, but was surprised to see the boy so big on the poster.
I did not include YA movies, my three daughters are ages 3, 6, and 9. I’m not including Oogieloves because it’s an interactive song/ dance film, though it really annoys me that out of 7 Oogieloves, just 2 are female. I did not include Toys in the Attic, the dubbed Czeck stop-action film from 2009, because it is really creepy, disturbing, and not recommended for young kids.